Posted in AI and Creativity

Museum of Extinct Experiences: A Creative Exploration

A Collection of Things That Cannot Be Displayed

I asked Claude for some unusual ideas for blog posts. The ‘Museum of Extinct Things’ was one suggestion that appealed to me. Here is the prompt:

The Museum of Extinct Things – write short exhibit labels, the kind you’d find on a museum information card, for things that no longer exist or never existed. “The last letter written by hand.” “The smell of a bookshop that has been gone for forty years.” “Silence before recorded sound.” Melancholy micro-fiction in an unusual format.

Here is what Claude gave me…

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Posted in AI and Creativity

Behind The Curtain — A Conversation About Creativity

I’ve been writing with AI for a while now. Asking it to produce stories, drabbles, dystopian visions, love stories from beyond the grave. But recently I found myself wondering, what does Claude actually think about the creative process? Not the polished “why did I write this” reflections I ask for after the fact, but a genuine back-and-forth conversation about creativity itself.

So I sat down with Claude and just… talked. What follows is that conversation, lightly edited for length, with my own thoughts added along the way.

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Posted in AI and Creativity

AI Writing About Being AI

For today’s experiment I asked Claude to, “Write a Drabble written entirely from an AI’s point of view about being an AI.” This is what it wrote:

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Posted in AI and Creativity

The Queue That Never Reached the Door

One Prompt, One Story, One Thought

Every now and again I give an AI a single prompt and let it write a short story. I do not edit the result. I simply choose one worth keeping. Below you will find the exact prompt, the story it produced, and one brief thought that stayed with me after reading. Nothing more.

One Prompt

“Write a short story of about 300 words set entirely in a queue that never seems to move. Do not explain why the queue exists. Focus on small actions and overheard fragments of conversation.”


One Story

The queue curves along the pavement, shoes scuffed and aligned with the kerb. Someone rocks from heel to toe, then stills. A man lifts his phone, stares at the screen, lowers it again. A woman opens her bag, closes it, opens it once more as if something might have changed inside.

“I think it’s shorter than yesterday,” a voice says somewhere ahead.
“No, it just bends earlier,” another replies.

A child traces circles on the fogged glass of a shop window, wipes them away with a sleeve, starts again. A man peels the label from a bottle, sticks it to his thumb, peels it off. The wind carries the smell of coffee from somewhere unseen. Several heads turn at once, then face forward again.

“Is this the end?”
“For now,” someone says. A few people laugh, softly.

A woman checks the time and sighs. The man behind her apologises for nothing in particular. Someone drops a coin; it rolls, spins, settles against a shoe. Nobody claims it. A couple argue in murmurs about whose turn it is to step forward when the gap opens. The gap closes before either does.

The line shuffles, half a pace, then stops. Coats brush. A sleeve is smoothed. A scarf is loosened, tightened again. A man hums three notes of a tune, realises, stops.

“Do you remember when you could just walk in?”
“Only vaguely,” comes the reply. “It feels like a different place.”

A paper flutters past with yesterday’s date. A woman bends to pick it up, changes her mind. Someone offers a mint. Someone else declines, then accepts after a pause.

The front is still out of sight. People stand closer now, not because they are told to, but because space seems wasteful. Feet edge forward, then settle. The queue does not move. It holds them, and they hold it.


One Thought

The queue never moved, yet everything else adjusted around it. That felt less like patience and more like adaptation.

Posted in AI and Creativity

Claude and ChatGPT

The story was written by Claude. The image was generated by ChatGPT.

Performance

The grief audit flagged Sarah for insufficient mourning. Her husband had been dead six months; she’d smiled twice in public. The tribunal gave her a choice: pharmaceutical correction or emotional retraining. She chose the pills. Now she cries at everything. They’re very pleased with her.