Posted in AI and Creativity

What Happens When Light and Shadows Fight?

Today I have a story for you to read, listen to, or both. The story was written by Claude and the narration was created using ElevenLabs. Enjoy.



A Cosmic Divorce

The trouble began on a Tuesday, though it had probably been brewing for ages. I noticed it while making tea. The kitchen light flicked on, but instead of filling the room, it cowered behind the cupboard, shivering like a nervous cat. The shadows, freed from their usual discipline, sprawled wherever they pleased, a long, sulky smear under the toaster, a rude blob on the ceiling, a jagged sliver draped dramatically over the fridge.

I cleared my throat. “Everything all right in here?” The shadows rustled irritably, as though I’d interrupted a meeting I had no right to attend. The light just quivered, refusing to emerge.

By lunchtime the whole house felt… argumentative. The hallway light refused to illuminate the hall, preferring to shine sulkily at the skirting board. The shadows, delighted by the chaos, slipped under doors, curled around table legs, and stretched into places they’d never been invited. They sulked in clusters, muttering in corners like teenagers staging a protest.

I tried switching on a lamp in the living room. It blazed for one glorious second, then ducked sharply behind the sofa, bathing only the underside of a cushion in a triumphant glow. “For goodness’ sake,” I snapped, “this isn’t sustainable.” A chorus of shadows hissed back.

The worst moment came around three o’clock when I attempted to read. Every time my eyes settled on a sentence, a shadow darted across the page, obscuring the words. When I moved the book, the light flickered away in a huff, as though offended by my neediness. I was trapped between a jealous light and sulking darkness, a referee in a cosmic divorce.

By four, I’d had enough. I marched into the centre of the lounge, hands on hips. “Listen,” I said, addressing the room like a headteacher breaking up a playground fight, “you two need each other. Light, you can’t exist without casting shadows. Shadows, you’re only interesting because of the light. So whatever this argument is, sort it.”

Silence. Then a single shaft of light crept timidly across the carpet, meeting a shy ripple of shadow halfway. They swirled, hesitating. Negotiating. For a moment I felt hopeful. Then my shadow tore itself free from the wall, not a ripple this time, but a clean, deliberate separation. It formed into a full, upright figure, my shape in pure black. It tilted its head, as if deciding whether it liked what it saw.

Before I could scream, it stepped forward and slid neatly into my body’s place, leaving me weightless and fading.

Posted in AI and Creativity

Northern Quarter, Half Past Six

The boy couldn’t have been more than nineteen. He stood outside Afflecks, one hand pressed flat against the window where the vintage jackets hung on their chrome rails. His reflection overlapped with a leather bomber from the seventies, brown and creased and priced at something I couldn’t see from across Oldham Street.

Rain started. Not heavy, just that fine Manchester drizzle that settles into everything. He didn’t move. His jacket, thin and synthetic, began to darken at the shoulders.

A woman came out of the building, keys in hand, and locked the main door. She said something to him. He stepped back, nodding, hands now in his pockets. She walked away towards Piccadilly Gardens without looking back. He stayed.

I ordered another coffee from the place with the steamed-up windows, the one that does the flat whites too hot. From my seat I could watch him through the condensation, a shape against the lit shopfronts. The after-work crowd moved around him, umbrellas up, all heads down. He checked his phone twice. The second time, his thumb moved across the screen for a long while before he put it away.

The lights inside Afflecks went off, section by section. First the ground floor, then the upper levels, until only the emergency signs glowed red behind the glass. The leather jacket disappeared into shadow. Still he waited.

A group of lads passed, loud with Friday energy, and one of them called something out. The boy didn’t react. He’d taken his hand from his pocket and was holding a folded piece of paper, creased many times over, the kind of worn you get from reading something too often. He looked at it without unfolding it.

The rain thickened. Proper rain now, the kind that means it. Water ran down the window beside me in long uneven tracks. Through them, I watched him finally move. He crossed the street, walked to the bin on the corner, and stood there.

His hand hung over the opening. Ten seconds. Fifteen. He put the paper back in his pocket and turned down Tib Street, shoulders hunched, disappearing into the dark between the bars and the curry houses.

I finished my coffee, cold now. The rain kept falling. Someone took his spot outside the window, a girl with bright hair, and began her own vigil.

It wasn’t my business. None of it was.


Generated by AI. Selected by me.

Posted in AI and Creativity

What Happens When the Door Tells the Story

This experiment began with a simple question: what changes when the centre of a story is shifted away from the people in it?

Rather than asking AI to invent a character with feelings, motivations, or a backstory, I asked it to write from the perspective of a door. Not a symbolic door. Not a magical one. Just a door that opens, closes, and stays where it is. The constraint was not technical. It was perceptual. The door can only know what passes directly in front of it.

That immediately removes some of the usual narrative shortcuts. The door cannot explain why someone hesitates. It cannot interpret an argument, a departure, or a return. It can only register patterns. Who arrives at the same time each morning. Who lingers. Who does not come back. Meaning has to emerge indirectly, through repetition and absence, rather than through insight or emotion.

Continue reading “What Happens When the Door Tells the Story”
Posted in AI and Creativity

Same Scene, A Different Point of View

A couple of posts ago I gave you a story called, ‘The Puddle I’m Sitting In’. The prompt I gave Claude was:

‘The scene is a wet and windy city centre. A homeless man is sat on a wet blanket outside a shop on the High Street. Busy people are hurrying by. Write an evocative 500-word monologue in the voice of the homeless man.’

I then wondered what Claude might do with the same image but from a different point of view?

Bring In The Alien!

So, this is the next prompt I gave Claude:

Can you now take the same scene and this time write a 500 word report from the voice of an alien creature. He has been sent to survey Earthlings and their behaviour in readiness for an alien invasion. He has to write a report to his Commander In Chief who is in the command ship circling the planet.


The New Story – Surveillance Report #847-B

SURVEILLANCE REPORT #847-B TO: Commander Zyloth, Primary Invasion Fleet FROM: Observer Unit Krell-9 LOCATION: Urban Center Grid Reference 51.4°N, 0.1°W SUBJECT: Behavioral Anomaly Requiring Strategic Assessment

Commander, I must report a puzzling phenomenon that may impact invasion protocols.

I have positioned myself in what the natives call a “city centre” to observe their social patterns during adverse atmospheric conditions (liquid precipitation, high wind velocity). The specimens move in predictable streams, prioritising shelter and commerce. Their clothing technology appears adequate for environmental protection, though their mobility is impaired by unnecessary aesthetic choices, particularly the females’ elevation footwear.

However, Commander, there is an anomaly.

One specimen sits motionless on the ground outside a commercial establishment. He is exposed to the full force of the precipitation. His coverings are inadequate, saturated fabric, degraded synthetic materials. Initial assessment suggested possible injury or biological malfunction, but scans indicate standard physiological function. He is simply… sitting.

What disturbs me, Commander, is the behaviour of the other specimens toward him.

They do not assist. They do not investigate. They actively avert their visual sensors as they pass, some adjusting their trajectories to maximise distance from him. I have observed 247 individuals pass this location in the last standard cycle. Three deposited small metal discs into his receptacle. The others behaved as though he were invisible.

This makes no tactical sense, Commander.

The sitting specimen displays no aggressive markers. He poses no threat. Yet the others treat him as they might treat a contamination zone. One juvenile showed curiosity, but the adult guardian physically redirected the juvenile away while emitting what my translator identifies as warning vocalisations.

I initially theorised this was a punishment ritual, perhaps the sitting specimen had violated tribal laws and was being subjected to public humiliation. But surveillance indicates he has been in this position for multiple cycles across several rotations. No authority figures monitor him. No trial was conducted. He simply… exists here.

The sitting specimen has constructed a communication display using primitive materials: “Hungry. Anything helps.” This suggests he lacks access to nutritional resources. Yet I observe the passing specimens carrying surplus consumables, bags filled with non-essential items, containers of prepared food. They possess clear capability to assist. They choose not to.

Commander, this presents a significant strategic opportunity.

If this species routinely abandons functional members to deteriorate in public spaces while others possess surplus resources, their social cohesion is far weaker than projected. However, it also suggests a capacity for selective indifference that I find… unsettling. A species that can witness suffering daily and simply step around it may prove more psychologically resilient to occupation than anticipated.

I require additional guidance. Should I continue observing this behaviour pattern?

The rain intensifies. The sitting specimen remains. The others continue past.

I confess, Commander, I do not understand these creatures at all.

Awaiting orders.

—Krell-9


The New Image to Go With The Story

I took the original image from the story, ”The Puddle I’m Sitting In’ and put it into Gemini and asked it to add an alien, watching proceedings. It was able to do this without changing the original picture.

An alien figure observing people walking past a homeless man

Call To Action

Have you got a story that you could enhance by adding in a completely different point of view? Let me know what you think of my experiment.